Gemini Musical Instrument UMX 7 User Manual

OPERATIONS MANUAL  
Bedienungsanleltung  
Manual de funcionamiento  
Manual de fonctionnement  
Manual del utente  
PROFESSIONAL VCA MIXER  
Professionneller VCA Mischpult  
Mezclador VCA para el profesional  
Mélangeur VCA pour le professionnel  
Miscelatore VCA per il professionale  
Multi Language Instructions  
English............................................................................Page  
Deutsch..........................................................................Page  
Español...........................................................................Page  
Francais..........................................................................Page  
Italiano.............................................................................Page  
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Page 3  
 
Crossfader Adjustment  
Crossfader-Regelweg  
Ajuste del Crossfader  
Réglage du Crossfader  
Regolazione Crossfader  
Channel Slide Curve  
Kanalfaderkurve  
Curva de los mandos corredizos de canal  
Courbe des curseurs de canal  
Curva cursori canale  
Gradual Taper  
WeicherÜbergang  
Disminuciónprogresiva  
Diminutionprogressive  
Riduzioneprogressiva  
Travel  
( % )  
Faderweg(%)  
Recorrido(%)  
Parcours(%)  
Corso(%)  
Travel  
( % )  
Faderweg(%)  
Recorrido(%)  
Parcours(%)  
Corso(%)  
Radical Taper  
HarterÜbergang  
Disminuciónradical  
Diminutionradicale  
Riduzioneradicale  
Travel  
( % )  
Faderweg(%)  
Recorrido(%)  
Parcours(%)  
Corso(%)  
 
Toreplacethefoot:  
Introduction  
1. Placethefootonthemixerwithoutthecenteranchor.  
CongratulationsonpurchasingtheGeminiUMX-7VCAmixer. Thisstate  
oftheartmixerisbackedbyathreeyearwarranty,excludingcrossfader  
andchannelslides.Priortouse,wesuggestthatyoucarefullyreadallthe  
instructions.  
2. Replacethecenteranchorandpushdownonittoanchorthefootto  
themixer.  
WithVCAtechnology,audioisprocessedinavoltage-controlledamplifier  
(VCA)removingitfromthecrossfaderandchannelslidesgivingthem  
extendedlifeandreducingtravelnoise.Thecrossfaderandchannelslides  
regulatetheDCvoltagethatcontrolstheVCAcircuit.Additional  
advantagesofVCAtechnologyincludetheabilitytoprovideprecisecurve  
adjustmentsforthecrossfaderandchannelslideswithoutsacrificingaudio  
quality.Foradditionalinformation,refertothediagramsonPage3for  
crossfaderadjustmentandchannelslidecurve.  
Connections  
1. MakesurethatthePOWER(1)switchisintheoffposition.Thisunit  
comessuppliedwitha18voltACadaptor.Plugtheadaptorintothe  
rearpanelpowerjack. Thenplugtheadaptorintoaproperpower  
source.  
2. TheUMX-7issuppliedwith4setsofoutputjacks. TheBALANCED  
MASTER OUTPUT (4) jacks are used to connect to your main  
amplifierusingstandardcableswith1/4connectors. Werecommend  
usingthebalancedampoutputsifthecablestoyourampare25feetor  
more. BALANCED MASTER OUTPUTS have three separate  
conductors,twoofwhicharesignal(positiveandnegative)andone  
shield(ground).Thebalancedlineusesatip-ring-sleeveconnection.  
Tip=hotorpositive(+),ring=coldornegative(-),andsleeve=  
shield/ground. The MASTER OUTPUT (5) jacks are unbalanced and  
usedtoconnecttoyourmainamplifier. TheRECOUTPUT(7)jacks  
canbeusedtoconnectthemixertotherecordinputofyourrecorder  
enablingyoutorecordyourmix. TheZONEOUTPUT(6) jacksallow  
youtohookupanadditionalamplifier.  
Features  
2StereoChannels  
StateoftheArtCueSectionwithSplit  
3Phono/LineConvertible, 1Line, and1MicInput  
AdjustableInputAssignSwitches  
ChannelSlideCurveControl  
CrossfaderwithCurveControl  
CrossfaderReverse(Hamster)Switch  
CutFeatureforLow, MidandHighforeachchannel  
Gain, High, MidandLowtonecontrolsforeachchannel  
Micloop  
3. Foryourconvenience,thereare2micinputs(locatedonthefrontpanel  
andtherearpanel),however,onlyonemicinputcanbeusedatatime.  
TheMIC(3)input(foundontherearpanel)ORtheMIC(42)input  
(foundonthefrontpanel)acceptsa1/4"connectorandbalancedand  
unbalancedmicrophones. TheMICLOOP(14)jackactsasanoutput  
andinputforconnectiontoanoutboardsignalenhancer(suchasakey  
controller,echo/reverbmachine,etc...)usingastandardbalancedcable  
witha1/4tip/ring/sleeveconnector(tip=in,ring=out,andsleeve  
=shield/ground).  
Talkover  
• Balanced and Unbalanced Master Outputs  
ZoneandRecordoutputs  
• Dual mode display  
4. Ontherearpanelare3stereoPHONO/LINE(9, 12, 13)inputsand1  
stereoLINE (8) input. The PHONO/LINE SWITCH (10) enables you to  
set the (9) input to Phono or Line. ThePHONO/LINE SWITCH (11)  
enablesyoutosetthe(12)inputtoPhonoorLine. ThePHONO/LINE  
SWITCH(15)enablesyoutosetthe(13)inputtoPhonoorLine. The  
phonoinputswillacceptonlyturntableswithamagneticcartridge.  
GROUND SCREWS (2) for you to ground your turntables are located  
ontherearpanel.Thestereolineinputswillacceptanylinelevelinput  
suchasaCDplayer,acassetteplayer,etc.  
Cautions  
1. Alloperatinginstructionsshouldbereadbeforeusingthisequipment.  
2. Toreducetheriskofelectricalshock,donotopentheunit.Thereare  
NO USER REPLACEABLE PARTS INSIDE. Please refer servicing to a  
qualifiedservicetechnician.  
5. Headphones can be plugged into the front panel mounted PHONES  
(43)jack.  
In the U.S.A., if you have any problems with this unit, call  
forcustomerservice. Donotreturnequipment  
1-732-738-9003  
toyourdealer.  
3. Donotexposethisunittodirectsunlightortoaheatsourcesuchasa  
radiatororstove.  
Operation  
4. Thisunitshouldbecleanedonlywithadampcloth.Avoidsolventsor  
othercleaningdetergents.  
1. POWER ON: Once you have made all the equipment connections to  
yourmixer, pressthePOWER(1)switch.  
5. Whenmovingthisequipment,itshouldbeplacedinitsoriginalcarton  
andpackaging.Thiswillreducetheriskofdamageduringtransit.  
2. CHANNEL 1: The GAIN (17), HIGH (20), MID (23), LOW (26), and  
PAN(29)controlsallowyoutofullyadjusttheselectedsource.Switch  
#(31)allowsyoutoselecttheLINE1/PHONO1(13)ortheLINE2/  
PHONO 2 (12) input. The CHANNEL SLIDE (38)controls the input  
levelofthischannel.  
6. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.  
7. DO NOT USE ANY SPRAY CLEANER OR LUBRICANT ON ANY  
CONTROLS OR SWITCHES.  
3. CHANNEL 2: The GAIN (17), HIGH (20), MID (23), LOW (26), and  
PAN(29)controlsallowyoutofullyadjusttheselectedsource.Switch  
#(32)allowsyoutoselecttheLINE3/PHONO3(9)ortheLINE4(8)  
input. TheCHANNELSLIDE(39)controlstheinputlevelofthis  
channel.  
HeightAdjustment  
WhenusingaUMXmixerwithprofessionalturntables, such  
astheGeminiPTSeries,youcanmakethemixerlevelwith  
theturntablebyremovingthemixer’sfeet.  
4. TONE CONTROLS: There is Low, Mid and High equalization for each  
channelwithanextremelywiderangeofadjustment. SUGGESTION:  
YoucanusetheCutFeaturesoneachchanneltoremoveLow, Mid  
and/orHightocreatespecialeffects.  
1. Placeasmallscrewdriverunderthefoot’scenteranchor.  
2. Gentlyprythecenteranchorupandthefootwillcomeoff.  
5. INPUT ASSIGN SWITCHES: You can adjust the position of the INPUT  
ASSIGN(31, 32)switchestomovelefttoright, upanddownORata  
45degreeangle. MaketheseadjustmentswiththepowerOFF.  
Page 5  
 
1) Removethechannelslide, crossfaderknobsandthe4screwsfrom  
thesidesofthelowerfaceplate.Thenremovethelowerfaceplate.  
heardinoneearphoneandCHANNEL2willbeheardintheother  
earphone.WhiletheCUEASSIGN (27)isintheleftorrightpositions  
(the CHANNEL 1 and CHANNEL 2 combinations), move the CUE  
FADER(36)tothelefttoisolateCHANNEL1andtotherighttoisolate  
CHANNEL2. Movethe CUEFADER(36)tothecentertolistentoboth  
channelstogether(splitorinstereo).  
2) Removethe2screwsinthecornersoftheassignswitchplate.  
Rotatetheswitchplatetothedesiredposition,replacethescrews  
andtightendown.  
3) Topositiontheswitchata45degreeangle,youneedtoreposition  
theswitchontheassignswitchplate.First,removethe2screwsin  
thecornersoftheassignswitchplate.Then,lifttheswitchplateup  
andremovethe2smallerscrewsnexttotheswitch.Rotatethe  
switchplatetotherightuntilthe45degreeholesalignwiththe  
switchholes,replacethescrewsandtightendown.Replacethe  
switchplateandtightendown.  
11. DISPLAY:Thepeakhold, dualfunctionDISPLAY(35)indicateseither  
theMASTERoutputleftandrightlevelsorthechannel1andchannel  
2levels. YoucanchoosetheoptionyouwantbypressingtheDISPLAY  
(34)button.  
NOTE:WhentheDISPLAY(35)isinthechannel1/channel2display  
mode,byadjustingtheindividualchannelgainandtonecontrols,youcan  
increaseordecreasethesignaltomatchtheotherchannel’ssignal.The  
channelslidesandcrossfaderhavenoeffectonthedisplayreadings.  
NOTE:Keeptrackofwhereyouposition  
theinputassignswitches.Toavoid  
confusion,movetheswitchtoaposition  
nearthecorrespondingprintingonthe  
faceplate.  
Specifications  
INPUTS:  
DJMic....................................................1.5mV2Kohmbalanced  
Phono.........................................................................3mV47Kohm  
Line.......................................................................150mV27Kohm  
6. CHANNEL SLIDE CURVE SWITCHES: Use the 3 position CHANNEL  
SLIDECURVE(37)switchestoadjustthekindofcurvethechannel  
slideshave.Movetheselectedchannelslidecurveswitchtothe6(top)  
positiontomaketheincreaseinlevelgradualandeven.Movethe  
channelslidecurveswitchtothe20(center)positiontomakethe  
increaseinlevellessgradualasyoumovechannelslideup.Movethe  
channelslidecurveswitchtothe30(bottom)position tomakethe  
increaseinlevelevenlessgradual,especiallyatthetopoftheslide.  
OUTPUTS:  
Master(balanced)...........................................0dB 2V800Ohm  
Max.............................40VPeaktoPeak  
Master/Zone(unbalanced)...................................0dB1V400ohm  
Max..............................20VPeaktoPeak  
Rec...........................................................................225mV5Kohm  
7. CROSSFADER SECTION: The CROSSFADER (41) allows the mixing  
ofonesourceintoanother. TheleftsideoftheCROSSFADER(41)is  
CHANNEL 1 and the right side is CHANNEL 2. The CROSSFADER  
CURVE(28)controlallowsyoutoadjustthekindofcurvethe  
crossfader has. Move theCROSSFADER CURVE (28) control to the  
righttomakethecurvesteepandcutting(perfectforscratching).Move  
theCROSSFADERCURVE(28)controltothelefttomakethecurve  
gradual and gentle. The CROSSFADER REVERSE SWITCH (33)  
allowsyoutoreversethecrossfadersothatCHANNEL2iscontrolled  
bytheleftsideofthecrossfaderandCHANNEL1iscontrolledbythe  
rightsideofthecrossfader. WhenREVERSEisactivatedtheREVERSE  
LED(40)willlight.  
MIC:  
DJMic....................................................1.5mV2Kohmbalanced  
Bass......................................................................................±12dB  
High.......................................................................................±12dB  
GENERAL:  
Low............................................................................+12dB/-32dB  
Mid............................................................................+12dB/-32dB  
High..........................................................................+12dB/-32dB  
Gain...........................................................................0to-20dB  
FrequencyResponse....................................20Hz-20KHz+/-2dB  
Distortion................................................................................0.08%  
S/NRatio...............................................................betterthan80dB  
TalkoverAttenuation..............................................................-16dB  
HeadphoneImpedance.........................................................16ohm  
PowerSource.............................................115V/18VAC0.75A  
230V/18V AC 0.75A  
NOTE: When the CROSSFADER REVERSE SWITCH (33) is activated  
(movedtotheright),onlythecrossfaderreverses.TheChannelSlides,  
Gainandtonalcontrolsdonotreverse.  
8. OUTPUT CONTROL SECTION: The level of the MASTER OUTPUT  
(4,5)iscontrolledbytheMASTER(18)control. TheZONE(21)  
controladjuststheleveloftheZONEOUTPUT(6).HINT:Thezone  
outputisusedbysomeDJstorunmonitorspeakersintheirDJbooth.  
YoucanalsouseitasasecondZONEorAMPoutput.  
Dimensions...................................10”wx14”hx4.33”d(254x355x110mm)  
Weight...........................................................................6.5lbs(3kg)  
NOTE:The RECORDOUT(7)hasnolevelcontrol. Thelevelissetbythe  
channelslidesandthegaincontrolsoftheselectedchannel.Thetonal  
qualitiesaresetbythelow,midandhighcontrolsofthatsamechannel.  
9. MICCONTROLS:Thepurposeofthetalkoversectionistoallowthe  
programplayingtobemutedsothatthemiccanbeheardabovethe  
music. TheMIC/TALKOVER(25) switchhasthreesettings. Whenthe  
MIC/TALKOVER(25)switchisintheleftposition, themicand  
talkoverarebothoff. Whenthe MIC/TALKOVER(25)switchisinthe  
centerpositionthemicison, theMICINDICATOR(24)willglow, but  
talkoverisoff. WhentheMIC/TALKOVER(25)switchisintheright  
position,themicandtalkoverwillbeonandthevolumeofallsources  
excepttheMicinputareloweredby16dB. MICLEVEL(16)controls  
theleveloftheMIC. The MICEQ controls, MICHIGH(19)andMIC  
LOW(22),allowyoutofullyadjustthetoneoftheMIC.  
10.CUE SECTION: By connecting a set of headphones to the PHONES  
(43)jack,youcanmonitortheprogramoutput,eachchannel  
individuallyorbothchannelstogether. TheCUEASSIGN (27)allows  
youtoselectwhattomonitorandhas3positions. MovetheCUE  
ASSIGN (27) to the left to monitor CHANNEL 1 and CHANNEL 2 in  
stereo. MovetheCUEASSIGN (27)tothecenterpositiontomonitor  
theprogram(PGM)output. MovetheCUEASSIGN (27)totheright  
tosplitthesignalsfromeachchannelsothatCHANNEL1willbe  
Page 6  
 
UmdenFußwiedereinzusetzen:  
Einleitung  
1. DenFußohnedenmittlerenStiftindenMixerdrücken.  
WirgratulierenIhnenzumKaufeinesGeminiUMX-7VCAMischpults.  
DiesesmoderneMischpultenthälteinedreijährigeGarantie,  
ausgenommen Crossfader und Kanalfader. Vor Anwendung dieses  
MischpultsbittealleAnweisungensorgfältigdurchlesen.  
2. DenmittlerenStifteinsetzen undfesteindrücken,umdenFußim  
Mixerzuverankern.  
MitderVCA-TechnologiewirddasAudiosignalineinem  
Anschlüsse  
spannungsreguliertenVerstärker(VoltageControlledAmplifier)bearbeitet  
undnichtüberCross-oderKanalfadergeführt,waszueinererhöhten  
LebensdauerundgeringerenFadergeräuschenführt. DieCross-und  
KanalfaderreguliereneineGleichstromspannung, diewiederumdieVCA-  
Schaltungsteuert.EinweitererVorteilderVCA-Technologieistdie  
MöglichkeitzurpräzisenKurvensteuerungvonCross-undKanalfadern  
ohnedieQualitätdesAudiosignalszubeeinflussen.WeitereInformationen  
findenSieimDiagrammaufSeite3, dasdieCrossfader-Regulierungund  
dieKanalfaderkurvedarstellt.  
1. Daraufachten, daßderNetzschalterPOWER(1)inOff-Position  
geschaltetist.DiesesGerätwirdmiteinem18-V-Wechselstromadapter  
geliefert. DenAdapterindieLeistungsbuchseanderRückwand  
stecken. DanndenAdapterandervorschriftsmässigenStromquelle  
anschliessen.  
2. DerUMX-7verfügtüber4Ausgangsbuchsenpaare. DieBuchsen  
BALANCED MASTER OUTPUT (4) dienen zum Anschluß an den  
Hauptverstärker, wofürStandard6,3mm-Stereo-Klinken-Kabelbenutzt  
werden. Wirempfehlen, diesymmetrischenMaster-Ausgängezu  
benutzen, wenndieKabelzuIhremVerstärker3moderlängersind.  
SymmetrischeAusgängehabendrei(3)verschiedeneLeiter:zweifür  
Signal(positivundnegativ)und einenfürMasse.Diesymmetrische  
LeitungbenutzteineSpitzen-Ring-Muffen-Verbindung.Spitze=heiß  
bzw. plus(+), Ring=kaltbzw. minus(-)undMuffe=Abschirmung/  
Masse. Die Buchsen (MASTER OUTPUT ) sind unsymmetrisch und  
dienenzumAnschlußaneinenHauptverstärkerohnesymmetrischen  
Eingang. Die Buchsen REC OUTPUT (7) können dazu dienen, das  
Mischpult an den Aufnahmeeingang des Aufnahmegerätes  
Funktionen  
2Stereokanäle  
AufwendigeVorhörsektionmitSplit-Schalter  
3Phono-/Line(umschaltbar), 2Lineund1MikrophonEingang  
VerstellbareEingangs-Zuweisungsschalter  
Kanalfaderkurven-Steuerung  
CrossfadermitKurvensteuerung  
anzuschließen, umdieTonmischungaufnehmenzukönnen. Die  
Buchsen ZONE OUTPUT (6) ermöglichen den Anschluß an einen  
zusätzlichenVerstärker(z.B.fürMonitorzwecke).  
Crossfader-Reverse(Hamster)Schalter  
CUT-EqualizerFunktionfürBässe, Mitten-undHöhenproKanal  
MIC-Effekteinschleifweg(Loop)  
3. ZumeinfachenAnschlußsind2MIC-Eingänge(anderVorder-und  
Rückseite)angebracht, wobeijedochjeweilsnureinMIC-Eingang  
benutztwerdenkann. DerEingang MIC(3) (anderRückseite) ODER  
derEingangMIC(42)(anderVorderseite)nimmteinen6,3mm  
Klinkenstecker sowiesymmetrischeundunsymmetrischeMikrofone  
auf. Die Buchse für den MIC-EFFEKTWEG (14) dient als Ausgang und  
EingangzumAnschlußaneinenbeliebigenSoundprozessor(wiez.B.  
Tonhöhen-Controller,Echo/Hall-Gerät,usw....),wobeiein  
symmetrischesStereo-Klinken-Kabelmit6,3mmmmSpitze/Ring/  
Steckverbindung(Spitze=Eingang, Ring=AusgangundMuffe=  
Masse)verwendetwird.  
Talkover  
• Symmetrische und unsymmetrische Master-Ausgänge  
• Zonen und Aufnahme Ausgänge  
• Umschaltbares VU-Meter  
Vorsichtsmaßnahmen  
1. VorAnwendungdiesesGerätsbittealleAnweisungensorgfältig  
durchlesen.  
4. AnderRückwandsindjeweils3Stereoeingänge PHONO/LINE(9, 12,  
13)und1Stereoeingang LINE(8). DerSchalterPHONO/LINE(10)  
ermöglichtIhnen, dieEingänge(9)zwischenPhonooderLine  
umzuschalten. DerSchalterPHONO/LINE(11)ermöglichtIhnen, die  
Eingänge(12)zwischenPhonooderLineumzuschalten. DerSchalter  
PHONO/LINE(15)ermöglichtIhnen, dieEingänge(13) zwischen  
PhonooderLineumzuschalten. DiePhono-Eingängesind  
ausschließlichfürPlattenspielermiteinemmagnetischem  
2. DasGerätnichtöffnen,umdasRisikoelektrischenSchockszu  
vermeiden. Es enthält KEINE VOM ANWENDER ERSETZBAREN  
TEILE. DieWartungdarfnurvonauthorisiertenWartungstechnikern  
durchgeführtwerden.  
3. DasGerätkeinemdirektenSonnenlichtodereinerWärmequellewie  
HeizkörperoderOfenaussetzen.  
4. DiesesGerätdarfnurmiteinemfeuchtenTuchgesäubertwerden.  
KeineLösungs-oderReinigungsmittelbenutzen.  
Tonabnehmer zu verwenden. Erdungschrauben - GROUND SCREWS  
(2)zurErdungdesPlattenspielerssindanderRückwandangebracht..  
DieStereo-Line-EingängesindfürdenAnschlußvonCD-, MD-oder  
Kassettengerätenvorgesehen.  
5. BeiUmzügensolltedasGerätinseinemursprünglichenVersandkarton  
undVerpackungsmaterialverpacktwerden. Dadurchverhindertman,  
daßdasGerätwährenddesTransportesbeschädigtwird.  
5. EinKopfhörerkannanderKopfhörer-Buchse PHONES(43)aufder  
Vorderseiteeingestecktwerden.  
6. DIESES GERÄT NICHT REGEN ODER FEUCHTIGKEIT AUSSETZEN.  
7. AN DEN REGLERN ODER SCHALTERN KEIN SPRAY-  
REINIGUNGSMITTEL ODER SCHMIERMITTEL BENUTZEN.  
Bedienung  
1. NETZ EINSCHALTEN : Nachdem Sie alle Tonquellen am Mischpult  
angeschlossenhaben, drückenSieaufdieTastePOWER(1).  
Höhenjustierung  
2. KANAL 1: Die Regelelemente GAIN (17), HIGH (20), MID (23), LOW  
(26), undPAN(29)(Balance)ermöglicheneinvollkommenes  
RegulierenderausgewähltenTonquelle.Schalter(31)ermöglicht,den  
Eingang von LINE 1/PHONO 1 (13) oder LINE 2/PHONO 2 (12)  
auszuwählen. CHANNEL SLIDE (38) regelt den Ausgangspegel dieses  
Kanals.  
Wenn man einen UMX Mixer zusammen mit professionellen  
PlattenspielernwieGeminiPTSerie benutzenmöchte, kann  
mandiegleicheGerätehöhederPlattenspielererreichen,  
indemmandieFüßedesMixersentfernt.  
1. MiteinemkleinenSchraubenzieher denmittlerenStiftdes  
Fußesheraushebeln.  
3. KANAL 2: Die Regelelemente GAIN (17), HIGH (20), MID (23), LOW  
(26), undPAN(29)(Balance)ermöglicheneinvollkommenes  
2. VorsichtigdenStiftabnehmenunddenFußherausziehen.  
RegulierenderausgewähltenTonquelle.Schalter#(32)ermöglicht,den  
Page 7  
 
Eingang von  
                   
L
                   
                   
I
                   
                    
N
                    
                     
E
                     
                       
3
                       
                       
/
                        
                        
P
                        
                         
H
                         
                          
O
                          
                           
N
                           
                            
O
                            
                             
3
                             
                               
(
                               
                                
9
                                
                                 
)
                                 
oder  
                                      
L
                                      
                                       
I
                                       
                                        
N
                                        
                                         
E
                                         
                                          
4
                                          
                                            
(
                                            
                                             
8
                                             
                                             
)
                                             
auszuwählen.  
9. MIKROFONREGLER: Durch die Talkover-Funktion wird das  
abgespielte Programm gedämpft, um eine Ansage über das Mikrophon  
hören zu können. Der Schalter MIC/TALKOVER (25) hatdrei  
Einstellungen. WennderSchalterMIC/TALKOVER(25)inderlinks  
Positionsteht,sindMICundTalkoverbeideausgeschaltet.Stehtder  
SchalterMIC/TALKOVER(25)indermittlerenPosition, istMIC  
eingeschaltet.DerMIC-Anzeiger(24)isterleuchtet,jedochistTalkover  
ausgeschaltet. WennderSchalterMIC/TALKOVER(25)inderrechts  
Positionsteht,sindMICundTalkovereingeschaltet,undLautstärken  
allerTonquellen,außerdesMIC-Eingangs,werdenum16dBreduziert.  
MICLEVEL(16) reguliertdieTonstärkevonMIC. DieMICEQRegler,  
MIC HIGH (19) undMIC LOW (22), ermöglichen Ihnen, den Ton  
vonMICvollständigzuregulieren.  
CHANNEL SLIDE (39)regelt den Ausgangspegel dieses Kanals.  
4. KLANGREGLER:FürjedenKanalgibtesseparateBass-(Low), Mitten-  
(Mid)undHöhen-(High)Reglermiteinemäusserstbreiten  
Regulierbereich,dieeineflexibleMischungbieten.PROFI-TIP:Sie  
könnendieCUTFunktioneinesjedenKanalsbenutzen, umLow, Mid  
und/oderHighauszublendenumdadurchSpezialeffektezuerzielen.  
5. EINGANGSZUWEISUNGSSCHALTER: Sie können die Position der  
INPUTASSIGN(31, 32)Schalterändern, wennSiedieSchaltervon  
linksnachrechtsundvonobennachuntenODER ineinemWinkelvon  
45Gradbedienenmöchten. DieseEinstellungenwerden  
vorgenommen, wennderNetzschalterinOFF-Positionsteht.  
10.VORHÖR SEKTION: Den Kopfhörer an der KOPFHÖRER-Buchse -  
PHONES (43) anschliessen um den Masterausgang (PGM), einen oder  
beide Kanäle vorzuhören. Der CUE-SCHALTER - CUE ASSIGN (27)  
mit3PositionenmachtesmöglicheineAuswahlzutreffen.IndemSie  
den CUE ASSIGN (27) nach links stellen, können Sie den KANAL 1  
und den KANAL 2 in Stereo vorhören. Schieben Sie den CUE ASSIGN  
(27)zurMitteumdenMasterausgang(PGM)zuhören. StellenSieden  
CUE ASSIGN (27)nach rechts um Kanal 1 und Kanal 2 getrennt von  
einander injeeinerKopfhörermuschelzuhören. WährendderCUE  
ASSIGN(27)rechtsoderlinkssteht, schiebenSiedenCUEFADER(36)  
nachlinksumdenKANAL1zuisolierenundnachrechtsumden  
KANAL2zuisolieren. SchiebenSieden CUEFADER(36) zurMitte  
umbeideKanälezuhören(getrenntoderinStereo).  
1) DieKanalfader-, dieCrossfaderknöpfevondenFadernunddie4  
SchraubenderunterenFrontplatteentfernen.Danndieuntere  
Frontplatteentfernen.  
2) Die2SchraubenandenEckenderZuweisungs-Schalterplatte  
entfernen.DieSchalterplatteindiegewünschtePositiondrehen,die  
Schraubenwiedereinsetzenundfestziehen.  
3) UmdenSchalterineinenWinkelvon45Gradzupositionieren, den  
SchalteraufderZuweisungs-Schalterplatteumpositionieren.Dann  
dieSchalterplatteanhebenunddie2kleinerenSchraubenneben  
demSchalterentfernen.DieSchalterplattenachrechtsdrehen,bis  
dieLöcherimWinkelvon45GradmitdenSchalterlöchern  
ausgerichtetsind,dieSchraubenwiedereinsetzenundfestziehen.  
DieSchalterplattewieder  
11. ANZEIGEN: Die DoppelfunktionsanzeigeDISPLAY (35)gibt eine  
Darstellung entweder der Pegel des MASTER-AUSGANGS links und  
rechtsoderderPegelderKanäle1und2. DiegewünschteOptionkann  
durchDruckaufdieTasteDISPLAY(34)gewähltwerden.  
aufsetzenundfestschrauben.  
HINWEIS:Daraufachten, woSiedie  
Eingangszuweisungsschalter  
positionieren. UmVerwirrungzu  
vermeiden,müssendieSchalterineine  
PositioninderNähedes  
Zubeachten:WenndasDISPLAY(35)sichimAnzeigemodusKanal1/  
Kanal2befindet,kanndasSignalmittelsdereinzelnen  
Verstärkungsfaktor-undToneinstellungenverstärktoderverringert  
werden, umesdemSignaldesanderenSignalsanzupassen. Die  
KanalschieberundderÜberblenderhabenkeinenEinflußaufdie  
Anzeigewerte.  
entsprechendenAufdrucksder  
Frontplattegeschobenwerden.  
6. KANALFADERKURVEN -SCHALTER: Die 3 CHANNEL SLIDE  
CURVE(37)Positionschalterbenutzen, umdieKurvenartder  
Kanalfadereinzustellen.DengewähltenKanalfaderkurven-Schalterin  
Position6(oben)schieben,umeinenallmählichenundsanften  
Signalpegelanstiegzuermöglichen.DenKanalfaderkurven-Schalterin  
Position20(Mitte)schieben,umeinenwenigersanften  
TechnischeDaten  
Signalpegelanstiegzuermöglichen, wennderKanalaufwärts  
geschobenwird.DenKanalfaderkurven-SchalterinPosition30(unten)  
schieben, umeinenschnellzunehmendenSignalpegelanstiegzu  
ermöglichen, besondersamoberenEndedesFaders.  
EINGÄNGE:  
Mikrophon.......................................................1,5mV,2kOhmsymmetrisch  
Phono(Plattenspieler)......................................................3mV,47kOhm  
Line(CD,MD,Kassette)..............................................150mV,27kOhm  
7. CROSSFADER: Der Überblender CROSSFADER (41) ermöglicht das  
MischenvonTonquellen. DielinkeSeitedesCROSSFADERS(41) ist  
KANAL 1 und die rechte ist KANAL 2. Die CROSSFADER CURVE  
(28)SteuerungermöglichtIhnen, dieKurvendesÜberblenders  
einzustellen. Die CROSSFADER CURVE (28) Steuerung nach rechts  
verschieben,umeinesteileundschneidendeKurvezuerzielen(ideal  
für Scratching). Die CROSSFADER CURVE (28) Steuerung nach links  
verschieben, umeineallmählichansteigendeundsanfteKurvezu  
erzielen. Der CROSSFADER REVERSE SWITCH (33) ermöglicht den  
seitenverkehrtenBetriebdesCrossfadersKanal2wirdnunkontrolliert  
durchdielinkeSeitedesCrossfaderundKanal1durchdierechteSeite.  
IstderReverseaktiviert,dannleuchtetderREVERSELED(40).  
AUSGÄNGE:  
Master(symmetrisch)........................................................0dB 2V800Ohm  
max......................................................40VSpitze-Spitze  
Master/Zone(unsymmetrisch)...........................................0dB 1V400Ohm  
max......................................................20VSpitze-Spitze  
Record(Aufnahme)............................................................225mV /5kOhm  
ALLGEMEINES:  
Tiefenregler.........................................................................+12dB/-32dB  
Mittenregler........................................................................+12dB/-32dB  
Höhenregler........................................................................+12dB/-32dB  
Vorpegelregler.........................................................................0bis-20dB  
Frequenzgang..........................................................20Hz-20kHz+/-2dB  
Klirrfaktor...............................................................................................0,08%  
Störabstand.........................................................................besserals80dB  
Talkover-Dämpfung.............................................................................-16dB  
Kopfhörerimpedanz...........................................................................16Ohm  
Netzspannung...............................................115V/18VAC0.75A  
230V/18V AC 0.75A  
HINWEIS: Ist der CROSSFADER REVERSE-SCHALTER (33) aktiviert  
(nachrechtsgeschoben),läuftnurderÜberblenderinGegenrichtung.Die  
Kanalfader,Vorpegelregler undTonreglerwerdenhiervonnichtbeeinflusst.  
8. AUSGANGSREGELUNG: Der Pegel des MASTER OUTPUT (4, 5)  
(Verstärkerausgang)desDrehreglersMASTER(18)gesteuert. Der  
ReglerZONE(21)justiertdenPegeldes ZONEOUTPUT(6).  
EMPFEHLUNG: Die ZONE OUTPUT wird von einigen DJs benutzt,  
umdieLautsprecherinderDJ-Kabineseparatzuüberwachen.  
EbenfallskannesalszweiterVerstärker-Ausgangbenutztwerden.  
Abmessungen...........................................................254x355x110mm  
Gewicht......................................................................................................3kg  
HINWEIS:RECORDOUT(7)verfügtüberkeineneigenenPegelregler. Der  
PegelwirddurchdieKanalfaderunddieVorpegelreglerdesausgewählten  
Kanalsbeeinflusst.DieTonqualitätwirddurchdieTiefen-,Höhen,und  
MittelbereichsreglerdiesesKanalseingestellt.  
Page 8  
 
Parareponerlapata:  
Introducción  
1. Coloquelapataenelmezcladorsinelanclajecentral.  
FelicitacionesporsucompradelmezcladorVCA, modeloUMX-7, de  
Gemini. Estemezcladordelamásavanzadatecnologíaestárespaldado  
porunagarantíadetresaños,salvoelcrossfaderylosmandosdeslizantes  
decanal. Antesdeusarlo, lerecomendamosleercuidadosamentetodaslas  
instrucciones.  
2. Repongaelanclajecentralyempujehaciaabajoparaanclarlapataal  
mezclador.  
Conexiones  
ConlatecnologiaVCA,elaudioseprocesaenunamplificadordetensión  
controlada(VCA)quelosacadelcrossfaderydelosmandosdeslizantes  
decanalloquelesdalargavidaymenosruidoderecorrido.Elcrossfader  
ylosmandosdeslizantesdecanalregulanlatensióndecorrientecontinua  
quecontrolaelcircuitoVCA.Otrasventajasofrecidasporlatecnologia  
VCAsonlacapacidaddeproveerajustesdecurvaprecisosparael  
crossfaderylosmandosdeslizantesdecanalsinsacrificarlacalidad  
auditiva.Paramásinformaciones,véaselosdiagramasenlapágina3para  
elajustedelcrossfaderyparalacurvadelosmandosdeslizantesdecanal.  
1. CercióresedequeelinterruptordePOWER(1)(ENERGÍA)estéenla  
posiciónoff(apagada).EstaunidadsesuministraconunadaptadorCA  
de18voltios.Enchufeeladaptadoreneljackdeenergíadelpanel  
trasero.Luegoenchufeeladaptadorenunafuentedeenergía  
apropiada.  
2. ElaparatoUMX-7estádotadode4seriesdejacksdesalidapara  
amplificador. Los jacks BALANCED MASTER OUTPUT (4) (salida de  
amplificadorbalanceada)seusanparalaconexiónalamplificador  
principalconlaayudadecablesestándaresconconectorde1/4de  
pulgada. Recomendamoselusodesalidasdeamplificadorbalanceadas  
siloscablesqueseconectanalamplificadormidenporlomenos8  
metros.Alassalidasbalanceadascorrespondentres(3)conductores  
distintos:dosparalafunciónseñal(positivaynegativa)yunoparala  
protección(tierra).Lalíneaequilibradautilizaunaconexióndeltipo  
punta-anillo-manguera.Punta=activaopositiva(+),anillo=desactivo  
onegativo(-)ymanguera=protección/tierra. LosjacksMASTER  
OUTPUT(5)(amplificadordesalida)nosonbalanceadosyseusan  
paralaconexiónalamplificadorprincipal. LosjacksRECOUTPUT(7)  
seusanparaconectarelmezcladoralaentradadesuregistradorloque  
lepermiteregistrarsupropiamezclademúsica. LosjacksZONE  
OUTPUT(6)(zonadesalida)lepermitenconectarotroamplificador.  
Características  
2canalesestereo  
SecciónCuedeúltimageneraciónconpartidor  
3entradasfono/líneaconvertible,1entradadelínea y1entradapara  
micrófono  
Interruptoresdeasignacióndeentrada ajustables  
Controldelacurvadelcursordeslizantedelcanal  
Crossfaderconcontroldelacurva  
Inversor(Hamster)delcrossfader  
CaracterísticaCUT(Supresión)paraBajas,MedianasyAltas  
Frecuenciasparaloscanales1-2  
3. Parasucomodidad, hay2entradasdemicrófono(queseencuentranen  
elpaneltraseroyenelpaneldelantero);sinembargo,sepuedeutilizar  
unasolaentradademicrófonoalavez.LaentradaMIC(3)(quese  
encuentraenelpaneltrasero)OlaentradaMIC(42)(queseencuentra  
enelpaneldelantero)aceptaconectorde1/4depulgadaymicrófonos  
equilibradosynoequilibrados. EljackdelMICLOOP(14)actúacomo  
salidayentradaparalaconexiónaunamplificadordeseñalexterno  
(p.e.uncontroladordellave,máquinaeco/reverberación,etc.)conun  
cableequilibradocomúnconconectordepunta/anillo/mangade1/4  
depulgada(punta=dentro, anillo=fuera, ymanga=protección/  
tierra)  
MandosdeGanancia, Bajas, MedianasyAltasparaloscanales1-2  
• Mic Loop  
Talkover  
Salidasmaestrasbalanceadasynobalanceadas  
Salidasparazoneygrabación  
Visualizacióndemododoble  
Precauciones  
4. Enelpaneltraserohay3entradasestereoPHONO/LINE(9, 12, 13)y1  
entradaestereoLINE(8). ElconmutadorPHONO/LINE(10)lepermite  
arreglarlaentrada(9)aPhonooLine(fonográficoolínea).El  
1. Deberánleersetodaslasinstruccionesdeoperaciónantesdeusarel  
equipo.  
conmutadorPHONO/LINE(11)lepermitearreglarlaentrada(12)a  
PhonooLine(fonográficoolínea). ElconmutadorPHONO/LINE(15)  
lepermitearreglarlaentrada(13)aPhonooLine(fonográficoolínea).  
Lasentradasfonográficassolamenteaceptarángiradiscosconcápsula  
magnética. Tornillosdetierra-GROUNDSCREWS(2)paraponerlos  
giradiscosatierraseencuentranenelpaneltrasero.Lasentradasde  
líneaestereoaceptaráncualquierentradadeniveldelíneatalcomo  
reproductordediscoscompactosoplatinadecassette,etc.  
2. Parareducirelriesgodeshockeléctrico,noabraestaunidad.No  
contiene PIEZAS REEMPLAZABLES POR EL USUARIO. Por favor,  
refieraelservicioauntécnicodeserviciocalificado.  
3. Noexpongalaunidadalaluzsolardirectaniaunafuentedecalor,  
porejemplo,unradiadoroestufa.  
4. Estaunidadsólodeberálimpiarseconunpohúmedo. Eviteeluso  
dedisolventesuotrosdetergentesdelimpieza.  
5. LosauricularesseenchufaneneljackdePHONES (43)(auriculares)  
montadoenelpaneldelantero.  
5. Paramoveresteequipo,colóqueloenlacajayempaqueoriginal,afin  
dereducirelriesgodedañosduranteeltransporte.  
6. NO DEJE ESTA UNIDAD EXPUESTA A LLUVIA O HUMEDAD.  
Funcionamiento  
7. NO USE LIMPIADORES DE ROCÍO O LUBRICANTES EN  
CUALESQUIER CONTROLES O INTERRUPTORES.  
1. ENCENDIDO:Unavezquehayaefectuadotodaslasconexionesdelos  
equipos a su mezclador, oprima el POWER (1) (INTERRUPTOR DE  
ENERGÍA).  
Ajustedealtura  
2. CANAL1:Losmandosde GAIN(17)(ganancia), HIGH(20)(alto),  
MID(23)(mediano), LOW(26)(bajo)yPAN(29)(balancear)le  
permitenarreglarplenamentelafuenteseleccionada.Elinterruptor#  
(24)lepermiteseleccionarlaentradaLINE1/PHONO1(13)oLINE2/  
PHONO 2 (12). ElCHANNEL SLIDE (38)(cursor deslizante de canal)  
controlaelvolumendesalidadeestecanal.  
CuandoseusaelmezcladorUMXcon giradiscos  
profesionalestalescomolosdelaseriePTdeGemini,es  
posibleponerelmezcladoryel giradiscosenelmismonivel  
sacandolaspatasdelmezclador.  
1. Coloqueunpequeñodestornilladordebajodelanclaje  
centraldelapata.  
3. CANAL2:Losmandosde GAIN(17)(ganancia), HIGH(20)(alto),  
MID(23)(mediano), LOW(26)(bajo)yPAN(29)(balancear)le  
permitenarreglarplenamentelafuenteseleccionada.Elinterruptor#  
2. Levantecuidadosamenteelanclajecentralylapatase  
separará.  
Page 9  
 
(25)lepermiteseleccionarlaentrada  
                                       
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(8).ElCHANNELSLIDE(39)(cursordeslizantedecanal)controlael  
losmandosdebajos, medianosyaltosdelmismocanal.  
volumendesalidadeestecanal.  
9. COMANDOS MICRO: El propósito de la sección talkover es de  
4. MANDOS DE LA TONALIDAD: Existe igualación de los tonos bajos,  
medianosyaltosparacadacanalconmuyamplioalcancedeajustelo  
quelepermiteobtenermejormezcla. SUGERÉNCIA:Puedeusarlas  
funcionesCUTencadacanalparasuprimirlostonosbajos, medianos  
y/oaltosparacrearefectosespeciales.  
permitiralprogramadeatenuarseparaquesepuedaoírelmensajedel  
micrófono por encima de la música. El interruptor MIC/TALKOVER  
(25)tienetresarreglos. CuandoelinterruptorMIC/TALKOVER(25)  
ocupalaposiciónizquierda,elMICylafuncióntalkoverestánambos  
apagados. Cuando el interruptor MIC/TALKOVER (25) ocupa la  
posicióncentral, elMICestáactivado, elINDICADORMIC(24)se  
encenderáperolafuncióntalkoverestáapagada.Cuandoelinterruptor  
MIC/TALKOVER(25) ocupalaposiciónderecha, elMICylafunción  
talkoverestaránencendidosyelvolumendetodaslasfuentessalvolas  
entradasMicseránreducidaspor16dB. ElMICLEVEL(16)controlael  
volumen del micrófono. Los mandos MIC EQ, MIC HIGH (19) y MIC  
LOW(22)lepermiten ajustarcompletamenteeltonodelMIC.  
5. INTERRUPTORES INPUT ASSIGN (ASIGNACIÓN DE ENTRADA):  
SepuedearreglarlaposicióndelosinterruptoresINPUTASSIGN(31,  
32)paramoverdederechaaizquierda, dearribaabajoOenángulode  
45grados.Hagalosajustesconelaparatodesconectado.  
1) Quitelosbotonesdelcrossfader,cursordeslizanteylos4tornillos  
delosladosdelaplacafrontalinferior.Saquedespuésestaplaca  
frontal.  
10.SECCIÓNCUE:Alconectarauricularesaljackde PHONES(43), se  
puedemonitorizarlasalidadelprograma,cadacanalindividualmente  
oamboscanalesalavez. ElCUEASSIGN (27)de3posicionesle  
permiteseleccionarloquelegustamonitorizar.MuevaelCUE  
ASSIGN (27)hacialaizquierdaparamonitorizarelCANAL1yel  
CANAL2enestéreo. Muevael CUEASSIGN (27)haciaelcentropara  
monitorizar la salida del programa (PGM). Mueva elCUE ASSIGN  
(27)aladerechaparadividirlasseñalesdecadacanalparaqueel  
CANAL1seoigaenunauricularyelCANAL2enelotro. ConelCUE  
ASSIGN (27)enlaposiciónizquierdaoderecha(lascombinaciones  
del CANAL 1 y del CANAL 2), mueva el CUE FADER (36) hacia la  
izquierdaparaaislarelCANAL1yaladerechaparaaislarelCANAL  
2. MuevaelCUEFADER(36) alcentroparaescucharamboscanales  
(separadosoenestéreo).  
2) Quitelos2tornillosenlosrinconesdelaplacadelinterruptorde  
asignación.Gireestaplacahacialaposicióndeseada,repongalos  
tornillosyapriételos.  
3) Paraposicionarelinterruptorenunángulode45grados,hacefalta  
reposicionarelinterruptorenlaplacadelinterruptordeasignación.  
Primero,saquelos2tornillosenlosrinconesdelaplaca.Después,  
levantelaplacadelinterruptorysaquelos2tornillosmáspequeños  
alladodelinterruptor.Girelaplacahacialaderechahastaquelos  
orificiosde45gradossealineenconlosorificiosdelinterruptor,  
repongalostornillosyapriételos.  
Repongalaplacadelinterruptory  
apriételos.  
NOTA:Observedondeseposicionanlos  
interruptoresdeasignacióndeentrada.  
Paraevitartodaconfusión,muevael  
interruptorhaciaunaposicióncercadela  
leyendacorrespondienteenlaplaca  
frontal.  
11. VISUALIZADOR:Elvisualizador DISPLAY(35), dedoblefunción,  
indicayasealosnivelesdesalidamaestraizquierdayderecha  
MASTERolosnivelesdelcanal1ydelcanal2.Sepuedeelegirla  
opciónapretandoelbotóndevisualizadorDISPLAY(34).  
NOTA:CuandoelvisualizadorDISPLAY(35)estáenmodalidadde  
desplieguedelcanal1/canal2,sepuedeaumentarodisminuirlaseñal  
paraigualarlaalaseñaldelotrocanalgraduandoloscontrolesde  
gananciaytonodecadacanal.Lasllavesdecanalcorredizasyel  
atenuadornotienenefectosobrelalecturadelvisualizador.  
6. INTERRUPTORES DE LA CURVA DE LOS CURSORES CORREDIZOS  
DEL CANAL: Use los interruptores CHANNEL SLIDE CURVE (37) de  
3posicionesparaadaptarlacurvadeloscursorescorredizosdelcanal.  
Muevaelinterruptordelacurvaescogidohacialaposición6(arriba)  
paraaumentarelniveldemaneraprogresivayuniforme. Muevael  
interruptordelacurvahacialaposición20(central)paraaumentarel  
niveldeformamenosprogresivaalmoverelcursordelcanalhacia  
arriba.Muevaelinterruptordelacurvahacialaposición30(fondo)  
paraaumentarelniveldeformaaunmenosprogresiva, especialmente  
enlapuntasuperiordelcursorcorredizo.  
Especificacionestécnicas  
ENTRADAS:  
MicrófonoDJ.................................................1,5mV2Kohmiosbalanceados  
Fono........................................................................3mV47Kohmios  
Línea...........................................................................150mV27Kohmios  
7. SECCIÓN DE ATENUADOR DE TRANSFERENCIA: El  
ATENUADOR DE TRANSFERENCIA - CROSSFADER (41) le  
permitemezclarunafuenteenotra.Elladoizquierdodel  
CROSSFADER (41) corresponde al CANAL 1 y el lado derecho  
corresponde al CANAL 2. El pulsador CROSSFADER CURVE (28) le  
permiteajustarlacurvadelcrossfader.Muevaelpulsador  
CROSSFADER CURVE (28) a la derecha para producir una curva  
fuerteycortante(perfectopararealizarelscratching”).Muevael  
pulsador CROSSFADER CURVE (28) a la izquierda para producir una  
curva progresiva y moderada. El CROSSFADER REVERSE SWITCH  
(33)lepermiteinvertirelcrossfader;asielcanal2serámandadoporel  
ladoizquierdodelcrossfaderyelcanal1loseráporelladoderechodel  
crossfader. CuandoseactivaelREVERSE, elREVERSELED(40)se  
prende.  
SALIDAS:  
Master (balanceada).....................................................0dB 2V800 ohmios  
Máx...............................................40Vpico-pico  
Master/Zone(Zona).....................................................0dB1V400ohmios  
Máx...............................................20Vpico-pico  
Grabación........................................................................225mV5Kohmios  
MICRÓFONO:  
MicrófonoDJ...................................................1,5mV2Kohmiosbalanceados  
Bajos..................................................................................................+12dB  
Altos....................................................................................................+12dB  
NOTA: Cuando se activa el CROSSFADER REVERSE SWITCH (33)  
(posicionadoaladerecha),solamenteseproducelainversióndel  
crossfader.Noseproduceenloscursoresdeslizantesdecanales,enelGain  
yenlosmandosdetonalidad.  
GENERALES:  
Bajos................................................................................+12dB/-32dB  
Medianos........................................................................+12dB/-32dB  
Altos................................................................................+12dB/-32dB  
Ganancia...........................................................................de0a-20dB  
Respuestadefrecuencia.............................20Hz-20KHz+/-2dB  
Distorsión..............................................................................0,08%  
Relaciónseñal/ruido.....................................................superiora80dB  
Atenuacióntalkover...................................................................-16dB  
Impedanciadelauricular......................................................16ohmios  
FuentedeAlimentación..........................................115V/18VAC0.75A  
230V/18V AC 0.75A  
8. SECCIÓN DE CONTROL DE LA SALIDA: El nivel de la salida del  
amplificador MASTER OUTPUT (4, 5) se controla con el control  
MASTER (18). El mandoZONE (21)(zona) ajusta el volumen de  
ZONE OUTPUT (6) (salida de zona). SUGERENCIA: Ciertos DJs se  
sirvendelaSALIDAdelacabinaparasusaltovocesdemonitoreoenla  
cabinaDJ. TambiénsepuedeutilizarcomosegundasalidadeZONAo  
de AMPLIFICADOR.  
NOTA: El RECORD OUT (7) no tiene control de volumen. El volumen se  
arreglaporloscursoresdeslizantesdeloscanalesyporlosmandosde  
Dimensiones..............................................................254x355x110mm  
Peso..............................................................................................3kg  
Page 10  
 
2. Soulevez,enfaisantattention,lafixationcentraletlepiedseséparera.  
Pourremettrelepied:  
Introduction  
Nosfélicitationsàl’occasiondevotreachatdumélangeurVCA,modèle  
UMX-7, de Gemini. Ce mélangeur très moderne est accompagné d’une  
garantiedetroisans,àl’exceptionducrossfaderetfaderdechaquecanal.  
Avantdevousenservir,lisezattentivementtouteslesinstructionsci-après.  
1. Placezlepied souslaconsoledemixagesanslafixationcentrale.  
2. Remettezlafixationcentraleetappuyezpourfixerlepied àlaconsole  
demixage.  
Al’aidedelatechnologieVCA,l’audioesttraitédansunamplificateurà  
tensioncontrôlée(VCA)quilesépareducrossfaderetdescurseursde  
canalcequiassureunelongueviefonctionnelleetmoinsdebruitde  
course.Le.scrossfaderetlescurseursdecanalrégularisentlatensionà  
courantcontinuquicontrôlelecircuitVCA.Parmid’autresavantages  
assurésparlatechnologieVCA,l’ondistinguelacapacitédefournirdes  
réglagesprécisdelacourbepourlecrossfaderetlescurseursdecanalsans  
sacrifierlaqualitéaudio.Pourdesinformationssupplémentaires,voirles  
schémasàlapage3pourleréglageducrossfaderetlacourbedescurseurs  
decanal.  
Connexions  
1. LecommutateurPOWER(1)(puissance)doitoccuperlapositionOFF  
(horstension).Cetappareilestdotéd’unadaptateurde18Vca.  
Raccordezl’adaptateuràlaprisesurlepanneauarrière.Puis,raccordez  
l’adaptateuràunesourceélectriqueappropriée.  
2. L’appareilUMX-7estéquipéde4sortiesséparées(amplificateurs).Les  
BALANCED MASTER OUTPUT (4) (amplificateur à sortie équilibrée)  
sontutiliséspourlebranchementàl’amplificateurprincipalàl’aidede  
câblescourantsavecconnecteursde1/4depouce. Nous  
Caractéristiques  
recommandonsl’emploidesortiesd’amplificateuréquilibréessiles  
câblesreliantvotreamplificateurmesurentaumoins8mètres.Aux  
sortieséquilibréesappartiennenttrois(3)conducteursdifférents:deux  
pourlesignal(positifetnégatif)etunpourlaprotection(terre).La  
ligneéquilibréeutiliseunraccorddepointe-anneau-manchon.Pointe=  
soustension-positif(+),anneau=horstensionounégatif(-)et  
manchon = protection/terre. Les MASTER OUTPUT(5)(sortie  
amplificateur)nesontpaséquilibrésets’utilisentpourbrancher  
l’amplificateurprincipal.LesjacksRECOUTPUT(7)(sortie  
enregistrement)serventàbrancherlemélangeuràl’entrée  
2canauxstéreo  
SectionCuetsmoderneavecdivision  
3entréesphono/ligneconvertible,1entréeligne,et1entréemicro  
Commutateursd’assignationd’entréeréglables  
Réglagedelacourbedechaquefader  
Crossfaderavecréglagedelacourbe  
Inverseur(Hamster)ducrossfader  
d’enregistrementdevotreenregistreurcequivouspermetd’enregistrer  
votremixe. LesZONEOUTPUT(6)(sortiezone)vouspermettentde  
brancherunamplificateursupplémentaire.  
CaractéristiqueCUT(Suppression)defréquencesBasses,Moyenneset  
Hautespourlescanaux1-2  
CommandesGain, Basses, MoyennesetHautespourlescanaux1-2  
• Mic Loop  
3. Pourvotrecommodité,ilya2entréesdemicrophone(situéessurle  
panneauavantetsurlepanneauarrière);toutefois,uneseuleentréede  
micronepeutêtreutiliséeàlafois.L’entréeMIC(3)(retrouvéesurle  
panneauarrière)OUl’entréeMIC(42)(retrouvéesurlepanneau  
avant)accepteunconnecteurde1/4depouceetdesmicrophones  
équilibrésetnonéquilibrés. LejackduMICLOOP(14)agitcomme  
entréeetsortiepourbranchementàunréhausseurdesignalexterne  
(p.e.unecommandeàc,appareiléchos/réverbérations,etc.)lequel  
utiliseuncâbleéquilibrécourantavecconnecteuràpointe/bague/  
manchonde1/4depouce(pointe=rentrée,bague=sortie,et  
manchon=protection/masse).  
Talkover  
Sortiesprincipalessymétriques(Jack)doubléesasymétriques(RCA)  
Sortiezoneetenregistrement  
VU-mètredoubleaffichage  
Misesengarde  
1. Touteslesinstructionsdefonctionnementdoiventêtreluesavantde  
vousservirdecetappareil.  
4. Surlepanneauarrière,3entréesstéréoPHONO/LINE(9,12,13)et1  
entrée stéréo LINE (8). Le PHONO/LINE SWITCH (10) (commutateur  
phono/ligne)vouspermetderéglerl’entrée(9)surPhonoouLigne.Le  
PHONO/LINESWITCH(11) vouspermetderéglerl’entrée (12)sur  
Phono ou Ligne. Le PHONO/LINE SWITCH (15) vous permet de  
réglerl’entrée(13)surPhonoouLigne.Lesentréesphonon’acceptent  
quedesplatinesvinylesaveccartouchemagnétique(celluledelecture).  
Desvissesdeterre GROUNDSCREWS(2) pourlamiseàlaterredes  
platinesvinylessontsituéesenfacearrièredumixer.Lesentréesligne  
stéréoacceptentn’importequellesourcedeniveauligne(lecteurCD,  
platineK7,platineMini-Disc,tuner…).  
2. Pourréduirelerisquedecommotionélectrique,n’ouvrezpas  
l’appareil. Il ne contient AUCUNE PIÈCE À REMPLACER PAR  
L’UTILISATEUR. Lasolutiondeproblèmesdoitêtreconfiéeàun  
technicienqualifié.  
3. N’exposezpascetappareilauxrayonsdirectsdusoleil;nel’exposez  
pasnonplusàunesourcedechaleur(p.e.radiateur,poêle).  
4. Cetappareilnedoitêtrenettoyéqu’avecunchiffonhumide.N’utilisez  
pasdesolvantsoud’autreproduitsdenettoyage.  
5. Lorsquevousdéplacezcetappareil,ildoitêtreplacédansson  
emballageetcartond’origine.Ceciréduiralerisque  
d’endommagementlorsdetouttransport.  
5. LecasqueDJdoitêtreconnectéaujackPHONES(38)situéenface  
avant.  
6. PROTÉGEZ CET APPAREIL CONTRE LA PLUIE OU L’HUMIDITÉ.  
7. N’APPLIQUEZ AUCUN PRODUIT DE NETTOYAGE OU DE  
LUBRIFICATION PULVERISÉ SUR LES COMMANDES OU LES  
INTERRUPTEURS ET COMMUTATEURS.  
Fonctionnement  
1. POWER ON (MISE SOUS TENSION): Dès que tous les branchements  
sonteffectuésàvotremélangeur, appuyezsurlePOWER(1)(touchede  
misesoustension).  
Réglagedelahauteur  
2. CANAL 1: Les commandesGAIN (17), HIGH (20) (aiguë), MID (23)  
(médium), LOW(26)(basse)etPAN(29)(balance)vouspermettentde  
réglerentièrementlasourcechoisie.Lecommutateur#(31)vous  
permet de choisir l’entrée LINE 1/PHONO 1 (13)ou LINE 2/PHONO 2  
(12). LeCHANNELSLIDE(38) (faderdecanal) commandelasortiede  
cecanal.  
LorsquevousutilisezvotreconsoledemixageUMXavecdes  
platinesvinylesprofessionnelles,commecellesdelaSériePTde  
Gemini,vouspouvezajustezlahauteurdevotreconsolede  
mixage àlamêmehauteurquecelledevosplatinesvinylesen  
démontantlespiedsdevotreconsoledemixage.  
3. CANAL 2: Les commandesGAIN (17), HIGH (20)(aiguë), MID (23)  
(médium),LOW(26)(basse)etPAN(29)(balance)vouspermettentde  
réglerentièrementlasourcechoisie.Lecommutateur#(32)vouspermet  
1. Placezunpetittournevissouslafixationcentraledes  
pieds.  
Page 11  
 
dechoisirl’entrée  
SLIDE(39)(faderdecanal)commandelasortiedececanal.  
                         
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9. REGLAGE DU MICROPHONE: “TALKOVER” - Le propos de cette  
sectionestdepermettreauprogrammeenmarched’êtreassourdide  
sortequelemessagetransmisparlemicropuisseêtreentendupar-  
dessuslamusique. LeMIC/TALKOVER(25)comportetroisréglages.  
LorsqueleMIC/MIC/TALKOVER(25)occupelapositiondegauche, le  
MICetlafonctiontalkoversontaurepos. Lorsquele MIC/TALKOVER  
(25)occupelapositioncentrale,leMICestsoustension,leMIC  
INDICATOR (24)s’allumeramaislafonctiontalkoverestaurepos.  
LorsqueleMIC/TALKOVER(25) occupelapositiondroite, leMICetla  
fonctiontalkoverserontactivésetlevolumedetouteslessources,sauf  
lesentréesmic, seraréduitde16dB. LeMICLEVEL(16)commandele  
volume du microphone. Les commandes MIC EQ, MIC HIGH (19) et  
MICLOW(22), vouspermettentderéglerentièrementletonduMIC.  
4. COMMANDES DE TONALITE: Chaque canal dispose d’une  
égalisationdesbasses,moyennesetaigüesavecunetsgrande  
gammederéglage, cequivouspermetunmeilleurmélange.  
SUGGESTION:VouspouvezutiliserlescaractéristiquesCUTsur  
chaquecanalpouréliminerlesbasses,moyenneset/ouaigüesafinde  
créerdeseffetsspéciaux.  
5. INPUT ASSIGN SWITCHES: Vous pouvez régler la position des  
commutateurs(cut)INPUTASSIGN(31, 32)degaucheàdroite, de  
hautenbas,OUàunanglede45degrés.Faiteslesréglagesavec  
l’appareilhorstension.  
10.SECTIONCUE:LecasqueDJdoitêtreconnectéaujackPHONES(43),  
vouspouvezsuivrelasortieduprogramme, chaquecanal  
1) Enlevezlesboutonsducrossfader,descurseurscanaletles4visdes  
côtésdelaplaquefrontaleinférieure.Enlevezensuitelaplaque  
frontaleinférieure.  
individuellementoulesdeuxensemble. Le CUEASSIGN (27)à3  
positionsvouspermetdechoisircequevousvoulezsuivre.Déplacezle  
CUE ASSIGN (27) à gauche pour suivre le CANAL 1 et le CANAL 2  
enstéréo.DéplacezleCUEASSIGN (27)àlapositioncentralepour  
suivrelasortieduprogramme(PGM). Déplacezle CUEASSIGN (27)  
àdroitepourséparerlessignauxdechaquecanaldesortequele  
CANAL1soitentendudansunécouteur etleCANAL2dansl’autre.  
EnayantleCUEASSIGN (27)danslapositiondegaucheoudedroite  
(combinaisons CANAL 1 et CANAL 2), déplacez le CUE FADER (36)  
verslagauchepourisolerleCANAL1etàdroitepourisolerle  
CANAL2. Déplacezle CUEFADER(36)aucentrepourécouterles  
deuxcanauxensemble(séparésouenstéréo).  
2) Enlevezles2vissetrouvantdanslescoinsdelaplaquecomportant  
lecommutateur(cut)d’assignation.Tournezlaplaquedu  
commutateursurlapositiondésirée,remettezlesvisetserrez-les.  
3) Pourpositionnerlecommutateur(cut)àunanglede45degrés,  
vousdevezrepositionnerlecommutateursurlaplaquedu  
commutateur (cut)d’assignation.D’abord,enlevezles2visse  
trouvantdanslescoinsdecetteplaque.Soulevezensuitelaplaque  
etenlevezles2petitesvispsducommutateur.Tournezlaplaque  
àdroitejusqu’àcequelesorificesde45degréss’alignentavecles  
orificesducommutateur,remettez  
lesvisetserrez-les.Remettezla  
1. AFFICHAGE:Le DISPLAY(35)(Affichage)demaintiendecrêteà  
doublefonctionindiquesoitlesniveauxgaucheetdroitdelasortie  
MASTERoulesniveauxcanal1etcanal2. Vouspouvezchoisir  
l’optionquevousdésirezenappuyantsurleboutonDISPLAY(34).  
plaqueducommutateuretserrez-la.  
REMARQUE: Observez où vous  
positionnezlescommutateurs(cut)input  
assign.Pourprévenirtouteconfusion,  
mettezlecommutateursuruneposition  
prèsdel’inscriptioncorrespondantesurla  
plaquefrontale.  
REMARQUE: Quand le DISPLAY (34) est en mode d’affichage canal 1/  
canal2,enréglantlescommandesindividuellesdegainetdetonalité,  
vouspouvezaugmenteroudiminuerlesignalafindel’ajusterausignalde  
l’autrecanal.Lesfadersetlecrossfadern’ontalorsaucuneincidencesurle  
VU-mètre.  
6. COMMUTATEURS DE LA COURBE DES CURSEURS CANAL:  
Utilisez les commutateurs CHANNEL SLIDE CURVE (37) à 3  
positionspouradapterlacourbedescurseurscanal.Déplacezle  
commutateurdelacourbeducurseurcanalchoisiverslaposition6(au  
sommet)pouraugmenterleniveaudefaçonprogressiveetuniforme.  
Déplacezlecommutateurdelacourbeducurseurcanalverslaposition  
20(aucentre)pouraugmenterleniveaudefaçonmoinsprogressiveau  
furetàmesurequelecurseurcoulissantmonte.Déplacezle  
commutateurdelacourbeverslaposition30(aufond)pour  
augmenterleniveaudefaçonencoremoinsprogressive,surtoutau  
sommetducurseur.  
Caractéristiquestechniques  
ENTRÉES:  
DJMic..............................................................1,5mV2Kohméquilibrés  
Phono..................................................................................3mV47Kohm  
Ligne................................................................................150mV27Kohm  
SORTIES:  
7. SECTION CROSSFADER: Le CROSSFADER (41) (l’atténuateur croisé)  
permetlemélanged’unesourceavecuneautre. Lecôtégauchedu  
CROSSFADER(41)estleCANAL1etlecôtédroitestleCANAL2. La  
commande CROSSFADER CURVE (28) vous permet d’ajuster la  
courbe du crossfader. Glissez la commande CROSSFADER CURVE  
(28)àdroitepourproduireunecourberaideetcoupante(parfaitepour  
le “scratching”). Glissez la commande CROSSFADER CURVE (28) à  
gauchepourproduireunecourbeprogressiveetmodérée. Le  
CROSSFADER REVERSE SWITCH (33) vous permet d’inverser le  
crossfader;ainsilecanal2sercommandéparlecôtégauchedu  
crossfaderetlecanal1parlecôtédroitducrossfader.QuandREVERSE  
estactivé,alorsleREVERSELED(40)s’allume.  
Master (sortiesymétrique).................................................0dB 2V800Ohm  
maxi...............................................40Vcrête-crête  
Master/zone(doubléesasymétriques)....................0dB1V400ohm  
maxi...............................................20Vcrête-crête  
Enregistrement......................................................................225mV5Kohm  
MICRO:  
DJMic.................................................................1,5mV2Kohméquilibrés  
Basses...............................................................................................+12dB  
Hautes..............................................................................................+12dB  
GÉNÉRALITÉS:  
Basses....................................................................................+12dB/-32dB  
Moyenne...............................................................................+12dB/-32dB  
Hautes................................................................................+12dB/-32dB  
Gain.........................................................................................de0à-20dB  
Réponsedefréquence.........................................20Hz-20KHz=/-2dB  
Distorsion..........................................................................................0,08%  
Rapportsignal/bruit........................................................supérieurà80dB  
Atténuationtalkover.........................................................................-16dB  
Impédanceécouteur........................................................................16ohm  
Alimentation..............................................................115V/18VAC0.75A  
230V/18V AC 0.75A  
REMARQUE: Lorsque le CROSSFADER REVERSE SWITCH (33) est  
activé(déplacéàdroite),lefonctionnementducrossfaderuniquementsera  
inversé.Lefonctionnementdesfaders,dugainetdescorrecteursde  
tonaliténechangentpas.  
.8 SECTION OUTPUT CONTROL: Le niveau de MASTER OUTPUT (4,  
5) est commandé par la commande MASTER (18). La commande  
ZONE(21) ajustelevolumeduZONEOUTPUT(6)(sortiedelazone).  
SUGGESTION:Lasortiedezoneestutiliséeparcertainsanimateursde  
disquespourseservirdehaut-parleursdecontrôledansleurcabine  
(retour).Vouspouvezaussil’utilisercommedeuxièmesortiedeZONE  
ou AMP.  
Dimensions.................................................................254x355x110mm  
Poids....................................................................................................3kg  
REMARQUE: Le RECORD OUT (7) (sortie enregistrement) ne possède pas  
deréglagedevolume.Cedernierdépenddesréglagesdevolume(fader),de  
gainetdetonalité(basse/médium/aigüe)dechaquecanal.  
Page 12  
 
Perrimontareilpiedino:  
Introduzione  
1. Appoggiareilpiedinosulmiscelatoresenzal’ancoraggiocentrale.  
Complimentiperl’acquistodiquestomiscelatoreVCA, modelloUMX-7,  
Gemini.Questomiscelatored’avanguardiaoffreunagaranziaditreanni,  
esclusoilcrossfaderedicursoricanale.Primadell’usoleggere  
attentamentequesteistruzioni.  
2. Rimontarel’ancoraggiocentraleepremervisopraperfissareilpiedino  
almiscelatore.  
ConlatecnologiaVCA,sitratal’audionelmiscellatoreconvoltaggio  
controllato(VCA);sirimuovedelcrossfaderedeicursoricanaleedin  
questomodosiallungalasuavitafunzionaleesiriduceilrumoredi  
movimento.Ilcrossfadereglicursoricanaleregulannoilvoltaggioa  
correntecontinuailqualecontrollailcircuitoVCA.Unvantaggio  
supplementaredellatecnologiaVCAèlacapacitàdifornireuna  
regolazioneprecisadellacurvaperilcrossfaderedicursoricanalesenza  
sacrificarelaqualitàauditiva.Perinformazionisupplementari,vedereil  
schemanellapag.3perlaregolazionedelcrossfaderydellacurvadei  
cursoricanale.  
Collegamenti  
1. AssicurarsicheilPOWER(1)siasuoff.Questoapparecchioviene  
fornitoconunadattatoredi18voltCA.Inserirel’adattatorenelpower  
jackpostosulpannelloposteriore.Inserirepoil’adattatore  
nell’appropriatapresadicorrente.  
2. IlUMX-7vienefornitocon4setdijackperl’uscitadell’amplificazione.  
I jacks BALANCED MASTER OUTPUT (4) sono usati per collegare  
l’amplificatoreprincipaleconuncavostandardconconnettorida1/4".  
Siconsigliadiusareleusciteampbilanciateseicavidell’amplificatore  
sonodi8metriosuperiori.Gliuscitebilanciatehannotre(3)  
conduttoridiversi:dueperlafunzionesegnale(positivoenegativo)ed  
unoperlafunzionediprotezione(terra). Lalineabilanciatautilizzaun  
collegamentopuntale-anellointermedio-manicotto.Puntale=ingresso  
segnaleopositivo(+),anellointermedio=ritornosegnaleonegativo(-  
) e manicotto = schermo/massa. I jacks MASTER OUTPUT (5) non  
sonobilanciatiesonousatipercollegarel’amplificatoreprincipale.I  
jacksRECOUTPUT(7)possonoessereusatipercollegareilmixer  
all’ingressorecorddelregistratoreperpermetterediregistrarela  
miscelazione. IjackZONEOUTPUT(6)permettonodicollegareun  
amplificatoreaddizionale.  
Caratteristiche  
2canalistereo  
SezioneCued’avanguardiacondivisione  
3ingressiPhono/Lineaconvertibile,1lineee1Mic  
Interrutoriassegnazioned’entrataregolabili  
Controllocurvapericursoricanale  
Crossfaderconcontrollocurva  
Invertitorecrossfader(Hamster)  
FunzioneCUT(taglio)perBasso,MedioeAltopericanali1-2  
RegolatorediAmplificazione,Basso,MedioeAltobilanciamentoperil  
Canale1-2  
3. Perlasuacomodità,cisono2ingressiMIC(postosulpannello  
posterioreesulpannelloanteriore),tuttaviasipuòusareunsolo  
ingressoMICallostessotemp.L’ingressoMIC(3)(postosulpannello  
posteriore)Ol’ingressoMIC(42)(postosulpannelloanteriore)accetta  
unconnettoreda1/4"emicrofonibilanciatienonbilianciati. Iljack  
MICLOOP(14)agiscecomeingressoeuscitaperlaconnessioneadun  
intensificatoreexternodelsegnale(comeregolatorechiave,macchina  
eco/riverberazione,ecc...)usandouncavobilanciatonormalecon  
connettorepunta/anello/bussolada1/4"(punta=dentro,anello=  
fuori,ebussola=schermo/terra).  
• Mic Loop  
Talkover  
Controllobilanciamentoesbilanciamentoperl’uscitaMaster  
Uscitezoneeregistrazione  
• Display modo doppio  
Precauzioni  
4. Sulpannelloposteriorecisono3ingressiPHONO/LINE(9,12,13)e1  
ingressoLINEEstereo(8). L’interruttorePHONO/LINE(10)permette  
diimpostaregliingressisuPhonooLine(9).L’interruttorePHONO/  
LINE(11)permettediimpostaregliingressisuPhonooLine(12).  
L’interruttorePHONO/LINE(15)permettediimpostaregliingressisu  
PhonooLine(13).Gliingressiphonoaccetterannosolamentei  
giradischiconlacartucciamagnetica.Sulpannelloposterioresi  
trovanno viti di MESSA A TERRA - GROUND SCREWS (2) per la  
messaaterradeigiradischi.Gliingressidellalineastereoaccettano  
qualsiasiingressodilivellodilineacomeadesempiounlettorediCD,  
registratoriacassetteecc.  
1. Leggereattentamentequesteistruzioniprimadiusarequesto  
apparecchio.  
2. Perevitarescosseelettrichenonaprirel’apparecchio.  
INTERNAMENTE NON CI SONO COMPONENTI SOSTITUIBILI  
DALL’UTENTE.Perleriparazionirivolgersisoloapersonale  
qualificato.  
3. Nonesporrel’apparecchioallalucedirettadelsoleometterlovicinoa  
fontidicalorecomecaloriferiostufe.  
4. Pulirequestoapparecchiosoloconunpannoinumidito.Evitaredi  
usaresolventioaltridetergenti.  
5. LecuffiepossonoessereinseriteneljackPHONES(43)chesitrovasul  
pannelloanteriore.  
5. Pertrasportarequestoapparecchiosiconsigliadirimetterlonella  
scatolaeusarel’imballaggiooriginale.Questoeviteràdidanneggiarlo  
duranteiltrasporto.  
Funzionamento  
6. EVITARE DI ESPORRE L’APPARECCHIO ALLA PIOGGIA O  
ALL’UMIDITA’.  
1. ACCENSIONE:Dopochesonostatieseguitituttiicollegamentidegli  
apparecchiconilmiscelatore, premerePOWER(1).  
7. NON USARE DETERGENTI SPRAY O LUBRIFICANTI SU  
QUALSIASI CONTROLLO O INTERRUTTORE.  
2. CANALE 1: I comandi GAIN (17), HIGH (20), MID (23), LOW (26), e  
PAN(29)(bilanciare)permettonodiregolarecorrettamentelasorgente  
selezionata.L’interruttore#(31)permettediselezionaregliingressi  
LINE 1/PHONO 1 (13) o LINE 2/PHONO 2 (12). Il CURSORE  
CANALE-CHANNELSLIDE(38)controllaillivellod’uscitadiquesto  
canale.  
Regolazionedell’altezza  
QuandosiusailmiscelatoreUMXcongiradischiditipo  
professionalecomelaserieGeminiPT,èpossibileportareil  
miscelatoreall’altezzadelgiradischitogliendoipiedinidel  
miscelatore.  
3. CANALE 2: I comandi GAIN (17), HIGH (20), MID (23), LOW (26), e  
PAN(29)(bilanciare)permettonodiregolarecorrettamentelasorgente  
selezionata.L’interruttore#(32)permettediselezionaregliingressi  
LINE 3/PHONO 3 (9) o LINE 4 (8). Il CURSORE CANALE -  
1. Inserireunpiccolocacciavitesottol’ancoraggiocentrale  
delpiedino.  
CHANNELSLIDE(39)controllaillivellod’uscitadiquestocanale.  
4. COMANDITONO:Perciascuncanalecèunequalizzatoreindividuale  
periBassi, MedieAlticonunagammadiregolazioneestremamente  
2. Farlevadelicatamentesull’ancoraggiocentralespingendo  
versol’alto;ilpiedinosistaccherà.  
Page 13  
 
ampia che permette una miscelazione armoniosa. SUGGERIMENTO:  
EpossibileusarelafunzioneCUTdiciascuncanaleperrimuoverei  
Bassi,Medie/oAltiecreareeffettispeciali.  
posizionecentraleilMICèacceso. L’  
                                                                                                  
I
                                                                                                  
                                                                                                   
N
                                                                                                   
                                                                                                   
D
                                                                                                   
                                                                                                    
I
                                                                                                    
                                                                                                     
C
                                                                                                     
                                                                                                      
A
                                                                                                      
                                                                                                       
T
                                                                                                       
                                                                                                       
O
                                                                                                       
                                                                                                        
R
                                                                                                        
                                                                                                         
E
                                                                                                         
                                                                                                          
M
                                                                                                           
                                                                                                           
I
                                                                                                           
                                                                                                            
C
                                                                                                            
                                                                                                             
(
                                                                                                              
                                                                                                              
2
                                                                                                              
                                                                                                               
4
                                                                                                               
                                                                                                                
)
                                                                                                                
si  
illuminerà,mailtalkoverèspento.Quandol’interruttoreMIC/  
TALKOVER(25)èimpostatosullaposizionedestra,ilMICeiltalkover  
sarannoaccessieilvolumedellesorgentiadeccezionedegliingressi  
Micverrannoabbassatia16dB.IlMICLEVEL(16)controllaillivello  
delmicrofono. IcontrolliMICEQ, MICHIGH(19) eMICLOW(22),  
permettonodiregolarecorrettamenteiltonodelMIC.  
5. INTERRUTORI INPUT ASSIGN: Si può aggiustare la posizione dei  
interrutoriINPUTASSIGN(31,32)permuoveredasinistraadestra,  
insueingiùOPPUREinangolodi45gradi.Questiregolazionisi  
realizzanoconilapparecchiofermo.  
10.SEZIONECUE:CollegandounsetducuffiealjackPHONES(43), è  
possibilecontrollarel'uscitaprogramma(PGM),ognicanale  
1) Rimuoveteibotonidelcrossfader,cursoricanaleedi4vitidellato  
dellaplaccafrontaleinferiore.Poi,rimuovetequestaplacca  
inferiore.  
individualmenteoentrambi. IlCUEASSIGN (27)con3posizioni  
permettelaselezionedellacosadacontrollare.MuovendoilCUE  
ASSIGN (27)sullasinistra,sipotràcontrollareilCANALE1edil  
CANALE2instereo. Muovendolosullaposizionecentralesarà  
possibilecontrollarel'uscitaprogramma(PGM). MuovendoilCUE  
ASSIGN (27)sulladestra,sipotràseparareisegnalidiognicanalein  
modochesipossasentireilCANALE1inunacuffiaedilCANALE2  
inl'altra.ConilCUEASSIGN (27)sullaposizionesinistraodestra  
(combinazioni CANALE 1 e CANALE 2), far scorrere il CUE FADER  
(36)sullasinistraperinsolareilCANALE1esulladestraperinsolareil  
CANALE2. FarscorrereilCUEASSIGN sullaposizionecentraleper  
sentireinsiemeilCANALE1edilCANALE2(divisooinstereo).  
2) Rimuovetei2vitinegliangolidellaplaccainterruttore  
assegnazione.Rotatelaplaccainterrutorenellaposizione  
desiderata,rimetteteedserrateiviti.  
3) Permetterel’interrutoreinunangolodi45gradi,habisognodi  
rimettereinposizionel’interrutoreconlaplaccainterrutoredi  
assegnazione.Primo,rimuovetei2vitinegliangolidellaplaca  
interrutorediassegnazione.Poi,alzatelaplaccaedrimuovetei2  
vitipiùpiccolevicinealinterrutore.Fatetornarelaplacca  
interrutorealladestrafinoad  
allinearsiiforidi45gradiconifori  
delinterrutore;rimetteteedserratei  
viti.Rimetteteedserratelaplacca  
interrutore.  
11. IL VISUALIZZATORE: Il DISPLAY (35) con tenuta a massimo e con  
doppiafunzioneindicaoillivellidiuscitaMASTERdestriesinistrioi  
livellidelcanale1ecanale2.Potetesceglierequalevoleteschiacciando  
iltastoDISPLAY(34).  
NOTA:Osservatedovesihannomessoin  
posizionegliinterrutoriinputassign.Per  
evitarelaconfusione,muoveteil  
interrutoreversounaposizionevicinaalla  
leggendanellaplaccafrontale.  
NOTA:QuandoilDISPLAY(35)éinposizionecanale1/canale2, potete  
aumentareodiminuireilsegnaleregolandoicontrolliGAINeTONE  
individualidelcanaleperfarlocorrisponderealsegnaledell’altrocanale.  
Lelevettescorrevoledeicanalieilcrossfadernonhannoeffettoneiletture  
deldisplay.  
6. INTERRUTORI CURVA CURSORI CANALE: Si può usare gli  
interrutori CHANNEL SLIDE CURVE (37) per aggiustare la curva  
cursoricanale.Spostateilinterrutorecurvaselezzionatonellaposizione  
6(cima)peraumentareillivelloinmodoprogressivoeduniforme.  
Spostateilinterrutorecurvanellaposizione20(centrale)peraumentare  
illivelloinmodomenoprogressivomentreilcursoresimuoveverso  
l’alto.Spostateilinterrutorecurvanellaposizione30(fondo)per  
aumentareillivelloancoramenoprogressivo,sopratuttonellacimadel  
cursore.  
SpecificheTecniche  
INGRESSI:  
IngressomicrofonoDJ................................1.5mV2Kohmbilanciati  
Phono.........................................................................3mV47Kohm  
Linea.....................................................................150mV27Kohm  
7. SEZIONE CROSSFADER (Dissolvenza incrociata): Il CROSSFADER  
(41)permettedimiscelareunasorgenteconun’altra.Lapartesinistra  
delCROSSFADER (41) corrisponde al CANALE 1 e quella destra  
corrisponde al CANALE 2. Il pulsante CROSSFADER CURVE (28)  
permettediregolarelacurvadelcrossfader.Spostateilpulsante  
CROSSFADER CURVE (28)alla destra per produrre una curva erta e  
tagliente(perfettoperilscratching”).Spostateilpulsante  
CROSSFADER CURVE (28) alla sinistra per produrre una curva  
progressiva e moderata. Con il CROSSFADER REVERSE SWITCH  
(33)èpossibilerovesclareilcrossfadercossichèilcanale2sarà  
controllatoperillatosinistrodelcrossfaderedilcanale1perillato  
destro.QuandoilREVERSEsi attiva,allorailREVERSELED(40) si  
illumina.  
USCITA:  
Master(bilanciamento)...................................................0dB 2V800Ohm  
Max.............................40Vpiccoapicco  
Master/Zone.....................................................................0dB1V400ohm  
Max..............................20Vpiccoapicco  
Rec.......................................................................................225mV5Kohm  
MIC:  
IngressomicrofonoDJ.............................................1.5mV2Kohmbilanciati  
Bass....................................................................................................±12dB  
High...................................................................................................±12dB  
GENERALE:  
NOTA: Quando il CROSSFADER REVERSE SWITCH (33) si attiva  
(spostatoalladestra),soloilcrossfaderfunzionainsensoinverso.La  
marciainsensoinversononsifapericursoriscorrevolecanale,ilgained  
icontrollidellatonalità.  
Bass......................................................................................+12dB/-32dB  
Mid.......................................................................................+12dB/-32dB  
Treble....................................................................................+12dB/-32dB  
Regolatorediamplificazione...................................................da0a-20dB  
Rispostainfrequenza............................................20Hz-20KHz+/-2dB  
Distorsione..........................................................................................0,08%  
Rapportosegnale/disturbo(S/N)......................................miglioredi80dB  
Livellotalkover......................................................................................-16dB  
Impedenzacuffia..............................................................................16ohm  
Alimentazione...........................................................115V/18VAC0.75A  
230V/18V AC 0.75A  
8. SEZIONE CONTROLLO OUTPUT: Il livello del MASTER OUTPUT  
(4,5)ècontrollatoconlalevettascorrevoleMASTER(18).IlZONE  
CONTROL(21)regolaillivellodell’uscitaZONE(6).  
SUGGERIMENTO:L’uscitazoneèusatadaalcuniDJperfar  
funzionareimonitordeglispeakernellacabinaDJ.Eanchepossibile  
usarlo come una seconda uscita ZONE o AMP.  
NOTA:IlRECORDOUT(7)nonhanessuncontrollodilivello. Illivelloè  
impostatodaicursoridelcanaleeiregolatoridiamplificazionedelcanale  
selezionato.Lequalitàdelletonalitàsonoimpostatedaicontrollidel  
bass,trebleemiddidettocanale.  
Dimensioni................................................................254x355x110mm  
Peso.......................................................................................................3kg  
9. COMMANDI MICROFONO: TALKOVER - Questa funzione permette  
diattenuarelariproduzionedelprogrammainmodochesipossa  
sentireilmicrofonosopralamusica. L’interruttoreMIC/TALKOVER  
(25)hatreimpostazioni. Quandol’interruttoreMIC/TALKOVER(25)è  
impostatosullaposizionesinistra,ilMICeiltalkoversonoentrambi  
spenti. Quandol’interruttoreMIC/TALKOVER(25)èimpostatosulla  
Page 14  
 
In the USA: If you experience problems with this unit,  
call 1-732-738-9003 for Gemini Customer Service.  
Do not attempt to return this equipment to your dealer.  
Parts of the design of this product may be protected by worldwide patents.  
Information in this manual is subject to change without notice and does  
not represent a commitment on the part of the vendor. Gemini Sound  
Products Corp. shall not be liable for any loss or damage whatsoever  
arising from the use of information or any error contained in this manual.  
No part of this manual may be reproduced, stored in a retrieval system or  
transmitted, in any form or by any means, electronic, electrical, mechanical,  
optical, chemical, including photocopying and recording, for any purpose  
without the express written permission of Gemini Sound Products Corp.  
It is recommended that all maintenance and service on this product is  
performed by Gemini Sound Products Corp. or its authorized agents.  
Gemini Sound Products Corp. will not accept liability for loss or damage  
caused by maintenance or repair performed by unauthorized personnel.  
Worldwide Headquarters • 120 Clover Place, Edison, NJ 08837 • USA  
Tel: (732) 738-9003 • Fax: (732) 738-9006  
France • G.S.L. France • 11, Avenue Leon Harmel, Z.I. Antony, 92160 Antony, France  
Tel: + 33 (0) 1 55 59 04 70 • Fax: + 33 (0) 1 55 59 04 80  
Germany • Gemini Sound Products GmbH • Ottostrasse 6, 85757 Karlsfeld, Germany  
Tel: 08131 - 39171-0 • Fax: 08131 - 39171-9  
UK • Gemini Sound Products • Unit C4 Hazleton Industrial Estate, Waterlooville, UK P08 9JU  
Tel: 087 087 00880 • Fax: 087 087 00990  
Spain • Gemini Sound Products S.A. • Rosello, 516, Barcelona, Spain, 08026  
Tel: 349-3435-0814 • Fax: 3493-347-6961  
© Gemini Sound Products Corp. 2002  
All Rights Reserved  
 

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